Substituting the traditional motifs of moss green and Santa-red for garish neon and pastels, Velvet and Blackout alight from a horse and carriage ride with a ‘ho ho ho’ as they experience the ghost of Christmas Yet-To-Come-To-Our-Screens in the form of 1980s avant-garde and adroit avatar Max Headroom, in his Giant Christmas Turkey from 1986. Are the limiting physical parameters of a television screen a metaphor for actual events that present themselves to the audience, or can the eclecticism of the guest-list save the day?
Just how prophetic can forty minutes of rushed-television really be? If this was a peep into a video conference-led future, are the script writers due some renumeration? Just how much of a good time is T. Turner actually having? None of these answers and more, are here…
Subscribe/Like/Follow on:
The Peggy Mount Calamity Hour is a free podcast from iPorle Media, which holds production copyright. Opinions and recollections expressed are not to be taken as fact. The title and credit music is by Doctor Velvet. Audio segments from television programmes are presented for review and informational purposes only under fair use, and no ownership of these is claimed or implied by this show. Email enquiries to PeggyMountPod@gmail.com
No comments:
Post a Comment